Friday, January 17, 2020

The Comfort of "Exceptional Images"

It's been a while.

I have been coping (not very well) with serious health issues in my family for a couple of months. We seem to have turned a corner now, though we're not out of the woods yet.

While the crisis was building I felt utterly helpless. I was drawing frantically - somehow drawing was one of the few things I could do. Otherwise I felt as if I were walking in deep sludge. Even the most basic activities seemed to take enormous effort.


A Dead Dragonfly (Saddlebag)?
My husband found it and brought it to me to draw.


Drawing was a way of blocking out feelings, a way of mitigating, if only temporarily, the desperation and frantic torpor that threatened to overwhelm me. But once I put the pencils down, the anxiety returned with a vengeance.

Then I read the post Art and Nature are My Healers by Elizabeth Smith. She described her path to reconciliation after her mother's death, and it seemed as though she had written it for me. She quoted a passage from Clare Walker Leslie's Drawn to Nature, in which Leslie recounted losing her own mother, and the solace she gained from drawing: "Every day, while my mother's illness progressed, I would find one image outdoors that I could hold onto, like a marble in my pocket that I rubbed for nourishment and balance. This looking out at the world helped my looking in, towards my own pain."



Shell and Horseshoe Crab Molt 


In her post Elizabeth detailed her search for, and sketch of a "daily exceptional image," and how it is helping her to deal with her own grief. When I read it something fell into place, and I realized what I was missing.

I needed to stop blocking, and start opening myself to the wonder of what I saw, even if it left me more vulnerable to fear and anxiety. Strangely enough, the process has been comforting. The weather then wasn't conducive to outside exploration, so instead, I searched my sketchbooks for drawings that had meaning for me, and finding them gave me a glimpse of happiness again. I have sprinkled some of them throughout this post.

Elizabeth's blog reminded me of the first peaceful day I remember after my mother's death, which was devastating.  I sat outside in the shade and drew Gaillardias. It took a long time to make this very simple line drawing. I  meant to color it in later, but decided it was better as it was. My mother was not one for frippery or fuss. She had a clean, simple esthetic. She loved a handful of flowers in a jar much more than a florist's arrangement. Drawing these cheerful flowers became an act of devotion, a simple moment of celebration of all my mother had meant and forever will mean to me.


Gaillardias - for me and my Mother


Anxiety and grief never really go away. But drawing with an open heart, not drawing to block out reality, is grounding. The drawings don't have to be perfect; they don't even have to be good, but the very act of recording something that has impressed us with its beauty, its form, its simplicity, whatever it may be - can give us the serenity to keep going. As Elizabeth wrote, "I could be mindful about something exceptional that did not cause pain, but instead promised something more." Thank you, Elizabeth and Clare.


June Beetle



Two of my favorite books by Clare Walker Leslie :

Nature Drawing: A Tool for Learning. Prentice-Hall. 1980. Revised Printing, Kendall/Hunt. 1995. - This is one of my favorite books, period. I often go to it when I feel like I am in a slump, or need an infusion of energy and enthusiasm.

The Art of Field Sketching. Prentice-Hall. 1984. Revised Printing, Kendall/Hunt. Another great book to get you motivated, up and outside.

Clare Walker Leslie's books are available at Amazon, and probably other vendors.


1 comment:

  1. Wishing I could send you the comfort and hugs that would help whenever needed. Life seems especially tougher as we age because we have more loss (and potential loss)to cope with. Not that it wasn't tough when we were young at times. It makes me happy that comfort came from my sharing of experience. I am still drawing, but they seem stiff at times and not my best work -- but still they do the job. They don't have to be anything, they just have to be. I hope Clare Walker Leslie feels my gratitude (and I know, yours) for the touchstone of comfort in those exceptional images.

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