Florida Fishpoison Tree

 Piscidia piscupula, the Florida fish poison tree, Jamaica dogwood, or fishfuddle tree, is a tropical hardwood native to south Florida and the Keys, the West Indies, Bahamas, and parts of Central America and Mexico. It is semi-deciduous, ie - shedding its leaves quickly, remaining bare only for a short time  before pushing out new growth. Flowers appear on bare or nearly bare stalks. It hit its flowering peak in the last week of May, and first week of June this year. 

Piscidia piscipula in bloom; 
edge of Johnson Bay, Isles of Capri, FL

The name "Jamaica dogwood" refers to its use in boat building. South Florida naturalist Roger Hammer reports that "dogs" are spikes or bars used as fasteners in ship construction. The flowers certainly don't look anything like the dogwoods most North Americans know. The wood is very  hard and apart from boats, is used for wood carving, fence posts and charcoal. 

Flowers

Typical "pea" flowers are borne in elongated clusters (racemes), and appear before, and sometimes overlapping with the year's new growth. Under magnification, they are hairy, especially the cup-like calyx, which appears to be a soft grayed lavender, like a mole's skin, due to the tiny hairs. Parts of the flower itself also bear silky hairs that are pressed flat on their surface. Flower color can vary quite a bit, from white tinged with pink or lavender, to red, to muddy gray. Like other members in the family, they attract a lot of pollinators, especially bees.

The bark and leaves contain rotenone, among other chemicals, and when tossed in the water, stun small fish, which float to the surface and can be harvested, hence the name "fishpoison." This practice is illegal in Florida, though we've reached such a state of general ignorance that I doubt anybody under 60 even knows the trick. 

Rotenone supposedly doesn't harm warm-blooded animals, but the plant contains plenty of other substances that do. Dried root bark is used  both internally and externally in folk medicine to relieve pain and insomnia to the point of unconsciousness, and to treat nervous disorders and skin ailments, but the plant's toxic/medicinal potential remains largely uninvestigated. Dried extract is available on the Internet, but I don't plan to play lab rat myself! For one thing, there seem to be no generally accepted dosage guidelines, but plenty of warnings.

The tree, which can reach 30-50 feet tall, with a broad, spreading crown, can make a striking specimen where it is not crowded. In shade and  competition from other plants it stays pretty spindly and unimpressive.  Osorio calls it "underutilized" in the Florida landscape. A sucking insect, the Jamaica Dogwood Psylla, occasionally can make the leaves unsightly, but again, acccording to Roger Hammer, doesn't make it undesirable in the landscape. It is highly drought tolerant once established, and grows behind the dune line on beaches, and in sand, rocky or gravelly soil elsewhere. Rather than falling over in storms, it tends to lose branches. 

Multi-trunked specimen,
Parking Lot, Collier-Seminole State Park
Collier County, FL

What first may appear to be leaves are actually leaflets. Like other members of the family, the fishpoison tree has compound leaves. They alternate along the branch, and typically have 4-8 pairs of leaflets plus a single terminal leaflet. The leaflets can vary in shape from more or less oblong to more oval, and the tips can be blunt, rounded or even pointed. They are fairly leathery on  top, and hairs  can give the underside a velvety feel. The leaves appear near the end of the flowering period. Leaves and individiual leaflets in the subfamily Faboidae, to which Piscidia piscipula belongs, are characterized by a swollen structure where they join the petiole or stem, called the "pulvinus." The leaves are a dark, matte green on top, and a lighter, softer shade on the underside. Varying pressure levels within the pulvinus cause the leaves and leaflets to fold up, seemingly at nighttime, but studies have shown that this is a biological rhythm not triggered by light levels. 

Piscidia
3 Mature Leaves; 3 Emerging Leaves

Members of Faboideae also are associated with the famous "nitrogen-fixing" bacteria, varioius species of Rhizobium. These symbiotic soil organisms "infect" root hairs of certain plants, especially members of Faboideae, where they transform atmospheric nitrogen into an ammonium form that can be used by the plant to produce plant protein. In turn, the bacteria gain carbohydrates from the host plant. Usually each Rhizobium species is limited to a single host species. Such complexity is probably one reason supposed "restoration" projects may fail, for replanting alone is a pretty simplistic approach. 

Black seeds are borne in a papery winged structure that passes from pink, green, yellow to brown. The tree apparently will grow readily from seed, as well as cuttings, so readily, in fact, that limbs used for fence posts make take root!

Seed Pods

The native Cassius Blue butterfly and the black and silver Hammock Skipper use the leaves as larval hosts. 

-----

I have relied heavily on the following sources for this article:

Roger Hammer. Florida Keys Wildflowers. Falcon. 2004. p.177. Email conversation.

Rufino Osorio. A Gardener's Guide to Florida Native Plants. University Press of Florida. 2001. pp. 265-6.

J. Paul Scurlock. Native Trees & Shrubs of the Florida Keys. Laurel Press. 1987, p. 123.

Wendy B. Zomlefer. Guide to Flowering Plant Families. University of North Carolina Press. 1994. pp. 160-166.

What Goes Around Comes Around - Musings from a Disjointed Year

 Or is it the other way around?

One evening in mid-March my husband remarked that there was something resembling,"a mocking bird on steroids," in the Simpson's Stopper. It was dusk, and all I saw was a dark silhouette flying off. I reckoned that it must have been a bluejay, though I really wasn't convinced. 

A few mornings later I had my answer when I startled a pair of brown thrashers that were searching for food by vigorously tossing bits of mulch with side-to-side, sweeping head motions. By the way, they made pretty deep holes. They left sometime in late April or early May - my last recorded sighting was April 27th.

We were visited by a pair of brown thrashers for the first time, as far as I know, in the winter/spring of 2018. The region was still recuperating from a direct hit by Hurricane Irma in September, 2017, and I attributed their presence to a general natural disruption. 

I hadn't seem them in the intervening years, but that doesn't mean they haven't been here. For one thing, our garden and the ones of our adjoining neighbors have recovered and filled out considerably, so these shy birds have a much better chance of hiding. 

For another, I haven't been outside as much. I injured my elbow cleaning up after Irma, so there are times that I physically can't do the down and dirty gardening I love. Increasing age and decreasing agility also meant giving up our beloved day-sailing activity. Instead of spending more time outside to compensate, I retreated indoors.

 For reasons that are not clear to me at all, I virtually stopped sketching outside. Botanical illustration requires an attention to detail largely unavailable in field sketching, but analyzing and depicting a part of a plant indoors doesn't produce the whole story. Field sketching includes context - what else is growing, what the weather and seasons are doing, what animals may be skittering around. After you've sat sketching for a while, birds either don't notice you, or decide you're not too much a threat to go about their business nearby. Small snakes have such a ground-level perspective that they just slither over my feet, but of course, disappear quickly when I jump from their touch. 

And field sketching, like sailing and gardening,  not only gets you out of the house - it gets you out of yourself, away from your own belly-button. It becomes a sort of meditation - not a meditation about anything - just a state of mind without thoughts - a pure sort of concentration on conditions around you at the moment. 

Encyclia tampensis 'alba' - Bloomed in May

Blame it on COVID isolation, politics, world events, old age  - whatever - I recently realized that instead of heading out into the yard with my coffee and sketchbook before and after breakfast, I turn on the computer to read about the most recent disasters. That has to change, but bad habits persist, while good ones are hard to re-establish. 

Apart from tanking my productivity and contributing to a general sense of malaise, this virtual life I've been leading has deeper implications. 

When I stopped recording the version of the natural world that exists in our own backyard, I lost touch with something bigger. Edward Wilson's philosophy in his very personal account Biophilia: The Human Bond with Other Species (1984), proposes that  our very humanity  is rooted in our co-evolution with and along with all other life forms. In that sense he arguess that conservation should be understood in terms of, "protection of the human spirit." (p.140). According to Wilson, and borne out by my own recent experience, we need to maintain contact with the natural world to feel fully ourselves.

The increasing digitalization and virtualization of our daily lives threatens dire consequences. How  much of the alienation behind homelessness, dropout rates, mental illness and even murder can be linked to our increasing estrangement with the organic world in which we evolved? The computer is sometimes called a "window on the world," but have we forgotten about just looking out a real window at a real universe? Tethered to our devices, we risk floating thorough our lives with no anchors at all. 

Simplistic sloganeering or "back to nature" campaigns won't do it. But somehow, as a society, we need to unplug from the sterile, technological ersatz world in which we've started living, and establish a connection and appreciation for what's left of the real. 

Ludisia discolor - Terrestrial Orchid (not native)

Back to local reality, we've had our annual visitation by flocks of Southern White and Florida White butterflies. The swallowtail kites graced our skies with their acrobatics, and too soon, returned to South America. Songbirds like the thrashers visited on their return migrations northward. The Jamaica Caper and Seven-Year Apple are again covered with fragrant blooms, and the brilliant red-orange blooms of royal poincianas justify their Spanish name, "Flamboyant." 

There is something deeply comforting in these rhythms and patterns. As much as we try, we still haven't quite destroyed the natural world. Weeds, even flowers, still sprout in cracks in the concrete, and the Gaillardias have reseeded faithfully in what I euphemistically call the garden. Winters are too warm now for my native iris to bloom, and rising tide levels are killing mangroves. But the tides still rise and fall acccording to their rhthyms, not ours. 

Not everything in the garden is lovely, but at least there still are fragments of that original garden, and if we only will go out and look, we may be graced by glimpses of it. 

Royal Conundrum - Killing the Monarch Butterfly with "Kindness"

The monarch butterfly population has been in serious decline for years now, something many gardeners know. To compensate for habitat loss, gardeners have been encouraged to plant more milkweeds, the insect's larval host plant. But this has led to unforeseen negative consequences, especially in warm winter regions of the U.S.

Native milkweeds can be hard-to-impossible to find, so the tropical, showy "scarlet" milkweed has become ubiquitous in garden centers across the country. This plant, Asclepias curassavica, is native to the American tropics and has spread to pantropical regions worldwide. It has become invasive in some areas, and threatens to become a pest in South Florida. 

Many monarch butterflies harbor a protozoan, Ophryocystis elektroscirrha (OE), that can weaken the adult, prevent the pupa from emerging from the chrysalis, or deform the wings. Monarchs visiting milkweeds deposit spores when they visit milkweeds. Normally, migration culls weakened individuals, and the OE spores die when the plants die back in winter. The plants grow back in spring and summer with fresh, uninfected leaves. But in areas with warm winters tropical milkweed grows all year, thus maintaining high levels of OE spores. Areas of Georgia, coastal Carolinas, Florida and the Gulf Coast have become hotspots of infection.

Monarch on Scarlet Milkweed

Apart from the immediate threat to individual monarchs, year-round milkweed is also, probably more ominously, threatening the migration itself. The presence of the milkweed affects the butterfly's hormonal balance, and works as a trigger to make it reproduce. So monarchs that find themselves in areas with warm winters don't migrate, and a year-round population gets established. With increasing warming trends this area of permanent, sickly individuals will only increase. 

Migration plays a critical role in maintaining a robust gene pool, for it culls badly infected individuals, which simply don't survive the trip. But migration may play other vital roles as well, in ways  we haven't discovered. 

Some organizations like the Xerces Society and the Florida Native Plant Society actively campaign against the use of tropical milkweeds. Some people, though, citing the drastic declines in the monarch population, feel that keeping the numbers up is of primary importance. 

Weaning gardeners away from tropical milkweed is going to be a monumental project, especially since it was promoted so aggressively as a solution to monarch population decline. 

Monarch on Asclepias curassavica

In and of itself, I'm not particularly heartbroken over the loss of scarlet milkweed in our yard. Due to neglect, they've sort of died out this spring anyway. It is a water hog, and the stems quickly get leggy and woody. It also is a magnet for aphids and spider mites, which would make any self-respecting female monarch look for greener pastures. 

Aphid-Infested Milkweed

Finding natives or even native seeds, is going to be a long, drawn out process. Some mail order nurseries offer native milkweed species that theoretically would grow here, but I'd have a better chance with offspring originating  much closer to home. 

Even though they might be the same species, a plant grown in the mid-Atlantic or Midwest would be quite different genetically from one that has adapted to South Florida conditions. They might not even look the same, they might not  survive, and they certainly wouldn't do anything to maintain genetic diversity. Ecologically even North Florida differs greatly from the southern part of the state.

Asclepias incarnata, "Swamp Milkweed," a Native

But there's a further complication!

Whether it comes to weather patterns, the density of bear fur, and many other things, matters often are much more complicated when it comes to the southern peninsula of Florida. It seems that there is an established, non-migratory monarch population south of Lake Okeechobee.  The most-studied migration routes don't cover us, especially on the sw coast, though we might get a few strays. I have had basically year-round monarchs since I began butterfly gardening around 1995. Over the years I have seen newly-emerged monarchs with deformed wings, but not a lot. Even without the scarlet milkweed, all of our native milkweeds might not go completely dormant during our winters, so a small population could persist theoretically without our help. The assumption has to be that the infection rate in our monarch population is close to 100%. 

So, in a way, it doesn't matter whether we keep planting Asclepias curassavica, but it goes against the grain now that I'm aware of a problem. While I don't like the plant, and getting rid of it would not stop the problem of diseased butterflies, it still seems somehow that replacing it with its cousins that "belong here" would be ethically as well as esthetically better. Now comes the hard part - actually doing it. 

Dune Sunflower - Why Draw

 Dune sunflower, Helianthus debilis, sometimes can be a victim of its own success. It's showy, tough, and flowers enthusiastically year round in frost free areas. A goodly mound of it, with its bright yellow-green leaves, and undiluted yellow ray flowers ringing purple-brown disk florets, brightens up the garden considerably. It wants no pampering. All it asks is space - and there's the rub. 

Space is an increasingly rare commodity in contemporary home sites around here. Lots generally are small, and the houses are built all the way to the 7.5' setback on the sides.( Higher floors sometimes are built all the way out to the property line, curiously reminiscent of medieval street scenes of tall buildings towering over dark, narrow passages). 

The plant is readily available, and some people, municipalities and road authorities have planted it to their chagrin. This is a plant that survives on the pure, sugar sand of Florida's beaches, buffeted by salty coastal winds, and subject to extreme drought while in full sunshine. The average yard, even unfertilized and unirrigated, can be an Eden in comparison, and granted this largesse, the plant takes off.

It doesn't grow as fast as kudzu, but over a period of months a healthy plant will overrun anything in its path, and certainly will outgrow a narrow median strip. Judicious pruning will keep it pretty for a long time. It has to be pruned along the edges, not from the middle, or center. Pruning gets trickier once the  plant has begun to mound over itself. Its long, creeping branches intertwine, so it's pretty impossible to see what belongs to what.

As the plant tumbles over itself, the higher leaves and stems shade out lower levels. A luxuriant-looking mound, may well be completely bare in the middle, with just a veneer of new growth over a scaffolding of aging, woody, leafless stems. It looks atrocious if it is hedged, which is about all most "mow-and go" yard crews know how to do.

Badly "Pruned" Dune Sunflower

This mounding habit makes it particularly attractive in large pots, from which its flowering branches can cascade around it. Eventually the bottom parts of the stem in the pots get woody and bare, which means it's time to cut back hard or pot up another plant. Dune sunflowers transplant easily if they aren't too big. They also root readily and self-sow vigorously if there isn't too much competition. (I wrote more about the dune sunflower in my blog post of Feb. 21, 2021, "January - Not the Greatest New Year.")

All From One Plant, One Pot

 The plant's energetic, uppreaching and semi-vining  habit make it an ideal subject for line drawings. I like drawing better than painting generally. Yellow is a particularly vexing hue for me, because it is so easy to "dirty" it with shading, which destroys its luminance unless you get lucky.

 1-Line Gesture Drawing; Color Study
(Yellow Is Too Light and Greenish)

Part of the definition of line, as it applies to art, is"...an identifiable path created by a point moving in space."("The Elements of Art," J. Paul Getty Museum website: www.getty.edu/for_teachers/building...lessons).

I love this definition because it also seems to denote the action of a growing plant. Attempting to follow that delightful dance of a plant's characteristic energy never fails to engage me.

Dune Sunflower, Pencil Sketch

Drawing is often frustrating and boring, and it requires hours of practice. But succeeding in capturing  movement in the sinuous curve of a stem, or the baroque undulations in a leaf's edge, be it just for an inch, makes all the failed attempts fade into insignificance. I'll never stop trying - and failing -  to get there.

Of course, a line drawing cannot capture the entire being of a plant - in this case, the sandpapery  texture of its leaves, the range of greens and yellows, its volume en masse, even its "non-fragrant" odor. That is a problem of all 2-dimensional media - it can't accomplish everything in one go. But artists and writers of all abilities attempt to capture and communicate something of the innate "truth" of an object or landscape. 

Texture- Dune Sunflower

I looked for answers on "why we draw" on the web, and all I came up with was articles on chemistry -  substances produced by the brain that make us feel pleasure and/or reward. But nothing on why one person is compelled to take pencil to paper while another is driven to put in hours learning to dance, make something, design a building, or throw a ball through a net. Apparently the chemicals are the same, and when you get down to it, they really don't tell us much. And why do some of us want to communicate so badly? It's more than what my husband calls, "teaching your grandmother to suck eggs." It's more like a toddler desperately wanting others to appreciate the wonderfulness of his latest toy. Drawing plants, for me, has something to do with joy, with sharing, with gratitude. But basically, I really can't say.

Sea Lavender

The first time I saw sea lavender, Argusia gnaphalodes, was somewhere in the Caribbean, possibly Grand Cayman, or Aruba, over 30 years ago. The beauty of its green-gray whorls of silky soft leaves so impressed me that I pinched off a tiny piece and showed it to the agricultural customs agent at Miami International Airport. He identified it for me, and explained that it once had been common along Florida east coast beaches, but was becoming increasingly rare due to development. (Environmental laws give Florida's wetland plants some protection. But some of the most rare and vulnerable native species require high and dry land, precisely the sites most coveted by developers, and often come out the losers).

Argusia gnaphalodes - Tip of Stem

After moving back to Florida in 1990, I began looking for the plant - in vain. So far my sources disagree on whether the plant occcurs naturally on the state's sw coast. Next year I will be stalking local state park and public beaches in search of it. Otherwise, it is native to Florida's east coast north to Brevard County, the Keys, West Indies, Yucatan Peninsula, and the Caribbean coast of central America and Venezuela. 

 Finally, about 2 years ago, I discovered a row of scraggly and generally unimpressive pots of Argusia at the All Native Plant Nursery in Fort Myers*, and pounced. Over the last 2 years it has become a handsome, fully-leafed out shrub about 3-and-a-half feet tall and wide. Barring calamity, it will keep spreading, though perhaps at a slower pace.

Argusia gnaphalodes  - Front View

I planted it in March, several months before the advent of the rainy season. I watered it well for the first week or so, until it seemed to be doing fine on its own, and since then I have neglected it completely, even though it is growing in one of the most difficult areas of our yard - a south-westerly slope of pure sand and brutal daylong sunshine. The summer rains no doubt were crucial to its establishment. 

In fact, gardeners living farther inland, where drainage is not so severe, and salt-laden wind not so common, might have trouble cultivating sea lavender, because it cannot take saturated or highly organic soils. It might also be subject to mildews and molds further inland, where there is less wind - speculation on my part, but possible.

(I have found transplanting native plants during the fall risky. I don't think the plants are programmed to grow in the absence of sustained rain, and stay in a semi-dormant state either until they die or the summer returns. No amount of watering seems to compensate for regular, saturating showers).

Like many plants in the Borage Family, Argusia gnaphalodes is extremely hairy everywhere except the petals and fruits. A dense covering of flattened hairs protects the succulent leaves from dehydration, too much sun and salt. It also gives them the silky softness of a puppy's ear. The leaves reflect silver in bright light, so much so that it's easy to overexpose photographs. In lower light, the plant can appear quite blue. 

Older Flowers - Low Light

Arg-The Latin root of the genus name, Argusia, refers to bright or silver light. The species name derives from a superficial resemblance to a genus of weedy winter annuals in the Aster Family, Gnaphalium.  

The leaves, flat, slightly succulent, and a little spatula-shaped, alternate around the stem, and terminate in a dense whorl. They are about 3-4 inches long and one-quarter inch wide. As the stem elongates, lower leaves die, but don't fall off immediately. Eventually the bottom third of the plant will show these bare stems. The habit may not be to everybody's taste, but I think it makes the plant more interesting. Pendant stems can root, which makes Argusia an important dune-stabilizing plant. 

Backside of Plant - One Stem Starting to Droop

The flowers are formed in a tightly wound cyme, which straightens as the blooms mature. 5 petals, somewhat crinkled, are united at the base. Young flowers are white, with the centers turning pink-maroon as they age. They are said to be mildly fragrant, but so far I haven't been able to catch that. 

Young Flowers

Fruits start out yellow-green, and turn brown or black as they ripen. I haven't seen any ripe fruits yet, so I suspect something eats them before I notice,

Immature Fruits

One of the main reasons this gorgeous plant isn't grown more is that basically nobody knows about it, which is a shame, because for coastal landscapes, it's unbeatable. 

See my blog post, All Native Plant Nursery, April 9, 2020.

Once You Have Goldenrod . . .

 "Once you have goldenrod, you will always have goldenrod," was the cryptic remark of a stalwart in the Naples chapter of the  Florida Native Plant Society when I took home a specimen she had potted. I asked what she meant, and she just gave me a wry smile, and said, "You'll see."

It didn't take too long. Look up "goldenrod" on a search engine and you'll find topics like, " How do I control goldenrod in my garden," and "How do I get rid of goldenrod in my garden."

Besides being tough as nails, the species I got from Freda spreads vigorously by rhizomes. Pot it up, and it creeps out through every drainage hole. Pull it out, and it shows up across the path, or in a neighboring bed after a few weeks. It produces thousands of seeds, but they don't seem to be all that viable, because the plant doesn't jump all the way across the yard, but stays mainly in the general area where I first planted it. Maybe the seeds are mostly for the little creatures that must eat them.  

"Our" goldenrod grows outside the easterly wall, which is remarkably deficient in windows, so I don't have a good idea of what goes on with it. Still, I get the idea that the butterflies and skippers that visit us generally find other flowers in the yard more attractive. On the other hand, I rarely pass by it without seeing some manner of wasp or bee vigorously stuffing itself or collecting pollen. Often there may be several species feeding at the same time.

Paper Wasp on Goldenrod

The plant in our yard seems to fit the description of Solidago fistulosa, "Pinebarren Goldenrod," better than any others, but I'm making no guarantees. There are over 100 species of goldenrod worldwide, and they hybridize readily. On the other hand, according to the 1998 edition of Wunderlin's Guide to the Vascular Plants of Florida, only about 5 species occur naturally in southern Florida, and it doesn't really look like any of the other possibilities.

Goldenrod, Pen & Ink

It doesn't form a classic basal rosette like many members of the Aster Family, including some goldenrods, but just pops straight out of the ground, and reaches for the sky, unburdened by any side branches. Narrow, lance-shaped leaves, sometimes with toothed margins, alternate around a bristly stem. The leaves are attached directly to the stem, with no petioles. As the stem elongates, the lower leaves wither and may or may not fall off.

The inflorescence is somewhat pyramidal, and made up of graceful, arching wands, alternating around the stems, and bearing numerous saturated yellow heads. The heads have both disc and ray florets, but the latter are a little sparse. The stem usually forms just one inflorescence, at its end, but if you cut off a faded inflorescence, the remaining stem sometimes will produce more blooming wands on its sides. It won't make a new, blooming "pyramid." 

Goldenrod Sketch

The stems can get up to 6 feet tall (though mine don't get that high), and the leaves die from the bottom up, so eventually you have a cluster of dead heads and seeds atop a bare stalk irregularly flagged with withered leaves. That's definitely when it needs to be cut back hard, but being a negligent sort of gardener, I rarely do that in a timely manner. This trait could be masked a bit if the goldenrod were placed behind lower-growing plants. Some of ours have spread into a clump of lavender lantana, but it stays too low to hide the stems completely when they get unsightly. 

It's often windy here, and I should stake them. If our yard were bigger, and the  garden beds wider I could let the goldenrods droop,  but as it is, they flop over and obstruct the path, and become something of a nuisance. It's a magnificent plant, and I wish I had space for a grand swathe of it, bending and bowing in the breeze, instead of my constrained, small patch. But I wouldn't do without it. For one thing, it reminds me of the wisdom,humor, and lop-sided smile of a long-dead friend. 

Megachile Bee on Goldenrod

 

Twisted-Banded Airplant

 The twisted-banded airplants (Tillandsia flexuosa Sw.) in our yard bloomed most of the summer, and are producing seeds now. This "airplant" is neither rare nor common in Florida, though I suspect loss of habitat is making in more infrequent. It ranges as far north as central Florida, and southward through the Caribbean, parts of Mexico and Central America, Columbia, Venezuela, and the Guianas. It also is a plant of the lowlands, staying from sea level to about 400 meters in elevation. It is quite salt tolerant, thriving in our yard only a few bits  of barrier islands away from the Gulf of Mexico. Some of the plants mounted on small trees got blown 90 -180 degrees off their axes during Hurricane Irma in 2017, but they gradually grew back toward the light. 

Tillandsia flexuosa and pup

The typical plant could be described as "loosely wrapped," with around 10 -15 stiff, leathery leaves arranged in a loose spiral. After the plant has produced seeds it eventually falls apart. The size and appearance of Tillandsia flexuosa vary dramatically, depending on where the plants are growing. The specimens growing in the harsh scrub of the Naples Preserve or Rookery Bay's upland areas are gray/silver, sometimes with tinges of crimson, with darker gray horizontal bands. 

Young T. flexuosa in Naples Preserve

Those living in more shade are progressively a greener gray/almost white, with darker green horizontal bands. The leaves may recurve rather dramatically or remain more upright. I have observed the greatest degree of recurving in plants in fairly deep shade, and suspect it is the plant's way of seeking more light. The plant produces pups, and over time will form a small colony. Given the behavior of the plants in our yard, it germinates fairly easily as well.

T. flexuosa seedlings on Fiddlewood

Do you see the anole?

The inflorescence, which can grow up to a meter tall, is branched, with flowers on alternate sides of the branches. Each branch ends in a pair of bracts, one  normal-sized and one much smaller and sterile.  The bracts and flowers grow at fairly wide angles to the branches - often near 90 degrees, which gives a slightly zig-zag appearance. I imagine that this, and the slight curvature of the areas between the bracts gives the branch greater strength and stability, since the process of flowering and seed production is fairly long. 

Inflorescence

The flowers are a deep, warm pink, and open over a long period, so the plant produces points of intense color, rather than a large display. Once the seeds have dispersed the insides of the bracts reveal themselves to be a deep, rich maroon, which also is attractive. A flower arranger probably would love the dried inflorescences. 

A non-local variety of the plant is viviparous, meaning that the seed germinates in the fruit before the fruit is detached. The mangrove "pencil" is a good example of vivipary. I have noticed seedlings on the dried branches of the inflorescence, and assumed that they had fallen and been trapped by residual fibers, but obviously I need to observe my plants much more closely next year.  The photo below shows somewhat out-of-focus green seedlings on the right of the inflorescence.

 

My first plants came from a legal rescue in the Panther Reserve, just north of the Fakahatchee Slough. Several large trees had been felled to make room for a greenhouse for native orchids, and I and fellow members of a botanical identification course visiting for the day were welcomed to harvest the epiphytes. (The trees were going to the shredder). Since then, I've become an active parking-lot stalker, especially where there are old live oak trees. Usually the fallen epiphytes are the ubiquitous ball moss (T. recurvata L) and wisps of Spanish moss(T. usneoides L), but I've found a fair number of the twisted-banded airplants as well. I haven't found that many lately, so maybe the supply has been exhausted.

I occasionally find pot-belly airplants (T. paucifolia Baker)  and Southern needleleaf (T. setaceae Sw) on or under declining shrubs. I don't take any from a healthy host, but if the shrub is definitely headed for the shredder, I will break off dead branchlets and the airplants. I stopped picking once, because I felt greedy, only to notice the next week that all the plants had been uprooted and replaced, so I won't have as many scruples now when it comes to harvesting from dying shrubs in parking lots. 

Our plants thrive in the shade and branches  of a Fiddlewood. It never has flourished, and I fear it eventually will die, but in the meantime it provides a perfect habitat for the Tillandsias and other epiphytes.

For more on Spanish Moss, see my post on April 12, 2019, "Southern Gothic - Spanish Moss."

See also "Parking Lot Potbelly." Feb. 27, 2019.